THE SOUVENIR, THE WOUND
BARBARA LODEN'S WANDA AND THE INVISIBILITY OF THE WORKING CLASS
INFINITE METABOLISM
WHEN THE DEATH DRIVE TAKES OVER: THE LIBIDINAL IN JOY DIVISION AND AMY WINEHOUSE
ASYLUM
WORKING THROUGH: THE DRAWINGS OF EVA HESSE
IN PAINTINGS AND COLLAGE: THE BEGINNINGS OF A NEW LANGUAGE
ARTIST'S CHOICE: AMY SILLMAN--THE SHAPE OF SHAPE